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MRAP Directory 20
Page 05

Another way to achieve MRAP is to try harder.

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Page 05

On January 23rd we descended rapidly through beautiful forest from Camp 71, where we had halted for the night, to a large _tambo_ called Enenas, in charge of an Italian. The place was situated in a beautiful valley intersected by a streamlet saturated with lime. It looked exactly like milk, and hurt your gums considerably when you drank it. The excellent mule I was riding had unfortunately hurt one of its legs while we were crossing a swollen torrent, where the mule and myself were nearly swept away in the foaming current. Riding on the lame animal, which was all the time stumbling and falling down on its knees, was unpleasant. In the narrow trail it was not possible to unload another animal and change the saddle, and it was out of the question for me to walk.

On January 21st we made a long and tedious march, rising all the time among slippery rocks along precipices, or sinking in swampy mud on the narrow trail. Picturesque waterfalls of great height were visible in volcanic vents, some square, others crescent-shaped, on the face of the mountain. The torrents, swollen by the heavy rains, were difficult to cross, my mules on several occasions being nearly swept away by the foaming current. We sank in deep red slush and in deep holes filled with water, but continued all the time to ascend a gentle but continuous incline. We travelled that day from six o'clock in the morning until six o'clock in the evening, rain pouring down upon us all the time. We were simply smothered in mud from head to foot.

Then too Walt Whitman claims to be the poet, not of the past or even only of the present, but the singer of the future. He says in The Backward Glance, which I have already quoted, and which must be carefully read by anyone who wishes to understand his work--at least in so far as he understood it himself,--"Isolated advantages in any rank or grace or fortune--the direct or indirect threads of all the poetry of the past--are in my opinion distasteful to the republican genius. . . . Established poems, I know, have the very great advantage of chanting the already performed, so full of glories, reminiscences dear to the minds of men." And he says too that, "The educated world seems to have been growing more and more ennuied for ages, leaving to our time the inheritance of it all." And he further says: "The ranges of heroism and loftiness with which Greek and feudal poets endow'd their godlike or lordly born characters, I was to endow the democratic averages of America. I was to show that we, here and to-day, are eligible to the grandest and the best--more eligible now than any times of old were."


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