MRAP Directory 09

I must, however, return to Frost's "Lives of Eminent Christians." I will leave none of the ambiguity about my words in which Moore and Wordsworth seem to have delighted. I am very sorry the book is gone, and know not where to turn for its successor. Till I have found a substitute I can write no more, and I do not know how to find even a tolerable one. I should try a volume of Migne's "Complete Course of Patrology," but I do not like books in more than one volume, for the volumes vary in thickness, and one never can remember which one took; the four volumes, however, of Bede in Giles's "Anglican Fathers" are not open to this objection, and I have reserved them for favourable consideration. Mather's "Magnalia" might do, but the binding does not please me; Cureton's "Corpus Ignatianum" might also do if it were not too thin. I do not like taking Norton's "Genuineness of the Gospels," as it is just possible some one may be wanting to know whether the Gospels are genuine or not, and be unable to find out because I have got Mr. Norton's book. Baxter's "Church History of England," Lingard's "Anglo-Saxon Church," and Cardwell's "Documentary Annals," though none of them as good as Frost, are works of considerable merit; but on the whole I think Arvine's "Cyclopedia of Moral and Religious Anecdote" is perhaps the one book in the room which comes within measurable distance of Frost. I should probably try this book first, but it has a fatal objection in its too seductive title. "I am not curious," as Miss Lottie Venne says in one of her parts, "but I like to know," and I might be tempted to pervert the book from its natural uses and open it, so as to find out what kind of a thing a moral and religious anecdote is. I know, of course, that there are a great many anecdotes in the Bible, but no one thinks of calling them either moral or religious, though some of them certainly seem as if they might fairly find a place in Mr. Arvine's work. There are some things, however, which it is better not to know, and take it all round I do not think I should be wise in putting myself in the way of temptation, and adopting Arvine as the successor to my beloved and lamented Frost.

The Death of the Virgin is the last of the six chapels inside the church itself. The Apostles, who of course are present, have all of them real hair, but, if I may say so, they want a wash and a brushup so very badly that I cannot feel any confidence in writing about them. I should say that, take them all round, they are a good average sample of apostle as apostles generally go. Two or three of them are nervously anxious to find appropriate quotations in books that lie open before them, which they are searching with eager haste; but I do not see one figure about which I should like to say positively that it is either good or bad. There is a good bust of a man, matching the one in the Birth of the Virgin chapel, which is said to be a portrait of Giovanni d'Enrico, but it is not known whom it represents.

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