|
|
MRAP Directory 04
Page 09
Immediately after war was declared between Germany and Russia the Porte ordered the Bosphorus and the Dardanelles closed to every kind of shipping, at the same time barring the entrances of these channels with rows of mines. The first boat to suffer from this measure was a British merchantman, which was sunk outside the Bosphorus, while another had a narrow escape in the Dardanelles. A large number of steamers of every nationality are waiting outside the straits for the special pilot boats of the Turkish Government, in order to pass in safety through the dangerous mine field. This measure of closing the straits was suggested to Turkey by Austria and Germany, and was primarily intended against Russia, as it was feared that her Black Sea fleet might force its way into the Sea of Marmora and the Aegean.
In No. 4 we have an illustration of the tube-mouth or Solenostoma, one of the two known kinds of fish in which the female shows a sense of her position as a mother. The tube-mouth, as you can see at a glance, is a close relation of our old friend the seahorse, whose disguised and undisguised forms in Australia and the Mediterranean we have already observed when dealing with the question of animal masqueraders. Solenostoma is a native of the Indian Ocean, from Zanzibar to China. In the male, the lower pair of fins are separate, as is usual among fish; but in the female, represented in the accompanying sketch, they are lightly joined at the edge, so as to form a sort of pouch like a kangaroo's, in which the eggs are deposited after being laid, and thus carried about in the mother's safe keeping. No. 5 shows the arrangement of this pouch in detail, with the eggs inside it. The mother Solenostoma not only takes charge of the spawn while it is hatching in this receptacle, but also looks after the young fry, like the father stickleback, till they are of an age to go off on their own account in quest of adventures. The most frequent adventure that happens to them on the way is, of course, being eaten.
This school probably got its sentimental inclination, shown in slight forms and tender expression, from France, but derived much of its technic from the Netherlands. Stephen Lochner, or Meister Stephen, (fl. 1450) leaned toward the Flemish methods, and in his celebrated picture, the Madonna of the Rose Garden, in the Cologne Museum, there is an indication of this; but there is also an individuality showing the growth of German independence in painting. The figures of his Dombild have little manliness or power, but considerable grace, pathos, and religious feeling. They are not abstract types but the spiritualized people of the country in native costumes, with much gold, jewelry, and armor. Gold was used instead of a landscape background, and the foreground was spattered with flowers and leaves. The outlines are rather hard, and none of the aerial perspective of the Flemings is given. After a time French sentiment was still further encroached upon by Flemish realism, as shown in the works of the Master of the Lyversberg Passion (fl. about 1463-1480), to be seen in the Cologne Museum.
|
