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MRAP Directory 03
Page 06
The internal evidence of the wooden figures themselves--nothing analogous to which, it should be remembered, can be found in the chapel of 1687--points to a much earlier date. I have met with no school of sculpture belonging to the early part of the eighteenth century to which they can be plausibly assigned; and the supposition that they are the work of some unknown local genius who was not led up to and left no successors may be dismissed, for the work is too scholarly to have come from any one but a trained sculptor. I refer of course to those figures which the artist must be supposed to have executed with his own hand, as, for example, the central figure of the Crucifixion group and those of the Magdalene and St. John. The greater number of the figures were probably, as was suggested to me by Mr. Ranshaw, of Lowth, executed by a local woodcarver from models in clay and wax furnished by the artist himself. Those who examine the play of line in the hair, mantle, and sleeve of the Magdalene in the Crucifixion group, and contrast it with the greater part of the remaining draperies, will find little hesitation in concluding that this was the case, and will ere long readily distinguish the two hands from which the figures have mainly come. I say "mainly," because there is at least one other sculptor who may well have belonged to the year 1709, but who fortunately has left us little. Examples of his work may perhaps be seen in the nearest villain with a big hat in the Flagellation chapel, and in two cherubs in the Assumption of the Virgin.
Somewhat higher than the fish in the scale of life is the frog. Although he begins life as a fish, and in the tadpole state breathes by gills, he soon discards the water-diluted air of the pond, and with perfect lungs boldly inhales the pure air of the upper world. His life as a tadpole, although so fish-like, is much inferior to true fish life: for though the fish has not the perfect lung, he has a modification of it which he fills with air, not for breathing purposes, but as an air-sac to make him float like a bubble in the water. Will he rise to the surface? he inflates the air-bladder. Will he sink to the bottom? he compresses the air-bladder. But in the frog the air-bladder changes into the lungs, and is never the delicate balloon which floats the fish in aqueous space. When the frog's lungs are perfected, his gills close, and he forever abandons fish-life, though being a cold-blooded creature he needs comparatively little air, and delights to return to his childhood's home in the bottom of the pond. But although he can stay under water for a long time, he is obliged to hold his breath while there, and when he would breathe must come to the surface to do so. It is possible to drown him by holding him under water.
Perseus was at the head of a numerous and well-appointed army, but of all his allies, only Cotys, king of the Odrysians, ventured to support him against so formidable a foe. Yet the war was protracted three years without any decisive result; nay, the balance of success seemed on the whole to incline in favor of Perseus, and many states, which before were wavering, now showed a disposition to join his cause. But his ill-timed parsimony restrained him from taking advantage of their offers, and in B.C. 168 the arrival of the Consul L. AEmilius Paullus completely changed the aspect of affairs. Perseus was driven from a strong position which he had taken up on the banks of the Enipeus, forced to retreat to Pydna, and, finally, to accept an engagement near that town. At first the serried ranks of the phalanx seemed to promise superiority; but its order having been broken by the inequalities of the ground, the Roman legionaries penetrated the disordered mass, and committed fearful carnage, to the extent, it is said, of 20,000 men. Perseus fled first to Pella, then to Amphipolis, and finally to the sanctuary of the sacred island of Samothrace, but was at length obliged to surrender himself to a Roman squadron. He was treated with courtesy, but was reserved to adorn the triumph of his conqueror. Such was the end of the Macedonian empire. The Senate decreed that Macedonia should be divided into four districts, each under the jurisdiction of an oligarchical council.
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